Showing posts with label walt whitman. Show all posts
Showing posts with label walt whitman. Show all posts

Sunday, May 10, 2015

TEKATAK

"Dinosaur Whitman," (c) 2015 emily eissenberg

TEKATAK
from Pearl and Other Poems


Restless, I entered the chat room with Jack
distended in speech & hyperlinks
& lonely from solo work of scouring

vast archive of internet banks &
Google Books & encyclopedia sewers

& hundred thousand fibers of
work-frayed hair & scholar hat

& bleak-slouched shoulders &
motionless butt of sitting, numb

& flittering thoughts of argument
moth & outbranching
vain bibliography brain

colorless emotional & restless
for love

& the formidable robust muscular
                  bonds of human text:

for Sunflower Allens &
rose-sick Blakes
asphodel Williams &
blossomdeep Annes

but in the chatrooms & forums
                  & journals & blogs

the text was too abstract
                  woven layers wan & flavorless

soil too thorny or shallow
                  or deep:

no proper soil for the work
to seed

the only ones who could read
                  were Jack & me

& me & Jack, & our reading was a lovely
                  tekatak plant.


I am a lovely tekatak
                  I have no history or culture

a flower of no particular nation
                  relaying my clean fragrance

no asphodel or poppy

no gingham print patch of sassafras
or Appalachian sawtooth grass

no shield-flat plains of Asian paddies
or rice-ripe rows of sun-red grain

no chickadaw tree of tan savannah
or arboreal star of trilac plant:

When lilacs last in the dooryard bloomed
I wasn’t one.

When pearl-wet hair of willow draped
I wasn’t there.

My wet fronds wave in lavender ponds
                  in seas no eye has ever seen:

Indian Sea, Atlantic stretch,
Corinthian bays, Mariana Trench:

All earth’s oceans are too deep
                  its plains are far too shallow

even rarefied air of moons
is too blood-rich & thick

for tekatak’s tremulous branches


I spread across every continent, and across
                  every continent’s origin

and at every continent’s conclusion,
                  there I am, a tekatak blossom:

luxurious and single,
                  particular, disparate,

a disparate particular layering of
                  single luxurious fragrance

alike to each who smells me,
                  whoever smells me, respiring

the singular unique sameness
                  of each to each his single
                  breathing—this—this breath—
                  this breathing—

the breathed out perspired flavor
                  of his diet & habits &
                  climes

the scent of these things each
                  to each nimbly parting
                  the individual fibers

all truckling to sunk-down
                  shoots & roots &
eager to receive

the tekatak-lovely tekatak stalks
                  & tekatak feet &
                  tekatak flowers


Of all particular continents,
                  flavors, diets, climes,

& also the ozone husk of these,
                  invisible distillation

the produced offspring of everywhere
                  & nowhere, native alike

to canyon-sediment nomad pasts
                  & passed over oral traditions

to musk-bright neon modernities
                  & homogenous rows of Tai Pei
                  McDonald’s

to refugee camp futures of displaced
                  workers & pidgin-ambivalent
                  lingua francas

to furred ashtrays of dank
                  Alexandrias & machinegun tons
                  of child Crusades

to spaceship moons of forbidden books
                  & Caribbean classrooms of colonial
                  daffodils

to crowded streets of Bollywood screens
                  & traffic-thick lanes of Bangkok
                  anthems

to North African ports of island palms
                  & Jerusalem mosques of desert
                  dates


Among all this, remarkable fact:

I have never been seen, no
                  soil bears me

Everywhere-wide is too thin
                  Nowhere-thick, too deep:

except your marmoreal branches, Jack,

                  the tekatak plant wouldn’t BE



(c) 2014 lee sharks

from Pearl and Other Poems:
http://www.amazon.com/Pearl-Other-Poems-Crimson-Hexagon/dp/0692313079/ref=sr_1_1?ie=UTF8&qid=1429895012&sr=8-1&keywords=lee+sharks+pearl



Tuesday, May 5, 2015

IF WALT WHITMAN CAME BACK AS A ZOMBIE AND ATE MY BRAIN I WOULD WRITE THE FOLLOWING POEM

"He Only Wanted Attention!"
image (c) 2015 emily eissenberg


IF WALT WHITMAN CAME BACK AS A ZOMBIE AND ATE MY BRAIN I WOULD WRITE THE FOLLOWING POEM
from Pearl and Other Poems


I am very sad America because you make me sad.

I am sad because my despicable poems.

I am sad because you charge me with unemployment fraud and take away my money.

I am sad because I can’t write poems like luminous smoke and suffocate your courts with glory.

I am sad because you will not hire me.

I am sad America because I have no money
and very large sums of credit card debt
and very large sums of student loan debt
and also I write poems in an unemployable way.

I am sad America because you ban me from your poetry websites because I criticize your rules
and delete my poems
and tease you about go start your own site by writing in a Jesus voice inventing poetry sites in heaven.

I am sad America because Walt Whitman went door-to-door selling books, a regular salesman
but when I spam the chat room with my poems they ban my IP address.

I am sad America because Walt Whitman is alive in my heart, walking door-to-door in my heart selling poetry books
and I am buying them to give to friends

but I am sad America because I have no friends.

The point I am trying to make is could a new Walt Whitman sprung up from the dirt sell zombie poems on Google?

Vision, America, is what I mean.

Commitment is the point I am making.