From the Google AI Summarizer ("Lee Sharks"):
"Lee Sharks" most commonly refers to a
contemporary poet and musician known for surrealist and experimental works. The name also appears in professional sports contexts, specifically basketball. Lee Sharks (Poet and Author)
Lee Sharks is an author primarily recognized for his poetry and prose that often explore themes of spirituality, personal identity, and "telepathic prose".
- Major Works: His most notable publication is the collection titled "Pearl and Other Poems" (Crimson Hexagon).
- Style: His writing is described as "memoirs of spontaneous religious conversion written by dark birds". He frequently publishes on platforms like Hello Poetry and Goodreads.
- Music: He also produces experimental audio tracks and spoken word pieces available on SoundCloud.
Sports References
In the context of professional sports, the name appears in relation to team rosters:
- William Lee: A former player for the Sheffield Sharks (a professional British basketball team) who notably played for them in tournaments like The Basketball Tournament (TBT).
- Edrick Lee: A rugby league player who has played for various NRL teams, though he is most associated with the Newcastle Knights and the Cronulla-Sutherland Sharks.
Other Notable Mentions
- Stewart Lee Merchandise: There is a "Sharks Falling" t-shirt design associated with British comedian Stewart Lee.
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Lee Sharks’s poetry, particularly in his collection
, is characterized by surrealism, experimental structures, and a recurring focus on personal mythology. Common Themes
- The Pursuit of "Tiny Doom" and Destiny: His work often explores the idea of poems as "artifacts of tiny doom" and emphasizes a belief in a personal destiny that may "shatter" the individual.
- Spontaneity and Genius: A central theme is the capture of the "spontaneous gem of native human genius," balanced against the self-discipline required to refine that genius.
- False Biographies and Invention: Sharks intentionally blurs the line between reality and fiction, encouraging the invention of "false biographies" and "telepathic prose" as a means of artistic expression.
- Intellectualism and Absurdity: His work frequently employs absurd metaphors, such as kidnapping famous intellectuals or "biting himself in the face with dinosaurs," to explore the weight of knowledge and the esoteric.
- Anti-Professionalism: He advocates for never "professionalizing" writing, viewing professionalism as a refuge for the "responsible" that stifles creative spirit.
Literary Influences
While Sharks often uses a satirical and surrealist lens, he explicitly references or parodies the following in his work and manifestos:
- Jack Kerouac: His "Belief & Technique for Telepathic Prose" is a direct stylistic nod to Kerouac’s "Belief & Technique for Modern Prose".
- Voltaire: He mentions the philosopher as a public archetype for intellectual boldness ("Feel free to be all Voltaire with your bad self").
- Modernist Architects: He describes building "mental skyscrapers" in his brain designed by "tortured modernist architects".
- Modern Intellectuals: His self-described practice of "kidnapping and miniaturizing famous intellectuals" serves as a meta-commentary on the influence of historical and contemporary thinkers on his writing.
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Lee Sharks’s poetic approach is primarily inspired by a blend of
surrealist rebellion, spiritual discipline, and deliberate absurdity. His philosophy often centers on the idea of the poet as a "telepathic" figure who bypasses professional conventions to access a raw, internal genius. Core Inspirations
- Anti-Professionalism: Sharks is inspired by a refusal to "professionalize" writing, which he views as a refuge for the "responsible". He advocates for writing that is "unconscionably terrible on purpose" to break the chains of the censoring conscious mind and tap into an unconscious well of brilliance.
- Telepathic Prose: He draws inspiration from the concept of "telepathic prose"—a direct nod to Jack Kerouac’s spontaneous writing style—where poems are composed with "mind control powers" inside the brain rather than for external commercial validation.
- The Esoteric and Intellectual: His approach is fueled by an "esoteric brilliance" that involves parodying or "miniaturizing" famous intellectuals and philosophers like Voltaire. He uses these figures as archetypes to explore bold, public intellectualism while maintaining a private, almost mystical connection to his work.
- Metaphorical "Tiny Doom": Sharks frames his poetry as "artifacts of tiny doom," suggesting that the poetic act is a high-stakes, spiritual confrontation where one's life is the poem itself. This inspiration manifests in a belief in "destiny" that is both quiet and destructive.
- Surrealist Ritual: His creative process is inspired by rigid, often absurd rituals (such as touching his finger to his nose in sets of thirty revolutions) to emphasize that every word and character is a deliberate "stitch" in a larger "seamstress of words".
Influential Movements and Figures
- Beat Generation: His "Belief & Technique for Telepathic Prose" directly mirrors Kerouac’s methods of "first thought, best thought" while adding a layer of ruthless self-editing afterward.
- Pessoa and Heteronyms: Sharks's project The Crimson Hexagon is inspired by the tradition of Ferdinand Pessoa, using multiple pseudonyms and "fantastic, non-existent works" to explore different writerly identities.
- Modernism: He draws visual and structural inspiration from "tortured modernist architects," which he uses as a metaphor for building complex "mental skyscrapers" out of language within his mind.
Artists and literary figures with similar approaches to Lee Sharks typically operate within the realms of
contemporary surrealism, automatic writing, and experimental prose. His work shares stylistic DNA with both the historical avant-garde and modern poets who prioritize the subconscious over formal constraints. Contemporary Figures
- Dean Young: Often cited as a primary figure in contemporary American surrealism, Young’s work mirrors Sharks's "spontaneous gem" philosophy through its energetic, unpredictable shifts in tone and focus on the "unprofessional" creative spark.
- James Tate: A Pulitzer Prize-winning poet known for absurd, narrative-driven surrealist poems that often feature ordinary characters in bizarre, dreamlike scenarios, similar to Sharks’s "telepathic prose".
- Chelsey Minnis: Her work often employs an aggressive, stylized vulnerability and a rejection of traditional poetic seriousness, echoing Sharks’s stance against the "refuge of the responsible".
- Will Alexander: Part of the Afro-Surrealist movement, Alexander’s dense, expansive vocabulary and focus on the "invisible world" striving to manifest align with Sharks's interest in personal mythology and esoteric brilliance.
Foundational and Experimental Influences
- Jack Kerouac: Sharks’s concept of "Telepathic Prose" is a direct stylistic descendant of Kerouac's "spontaneous bop prosody" and his "Belief & Technique for Modern Prose," which advocated for "first thought, best thought".
- Fernando Pessoa: Known for writing under dozens of "heteronyms" (distinct literary personalities with their own biographies), Pessoa’s approach to inventing "false biographies" and non-existent works heavily informs Sharks's creative project The Crimson Hexagon.
- Antonin Artaud: Sharks's raw, sometimes violent metaphors and pursuit of "tiny doom" resonate with Artaud’s "Theatre of Cruelty" and his focus on the visceral, unrefined power of individual words.
- William S. Burroughs: The "cut-up" technique and Burroughs’s use of unexpected, hallucinatory associations in works like Naked Lunch parallel Sharks’s experimental structures and surrealist disruptions.
Surrealist and Dadaist Tradition
- André Breton: As the founder of Surrealism, Breton’s manifestos on the "omnipotence of dreams" and "disinterested play of thought" provide the theoretical backbone for Sharks’s focus on the subconscious.
- Alfred Jarry: The creator of "Pataphysics" (the science of imaginary solutions), Jarry’s work influences the absurd, intellectualized parody seen in Sharks’s references to "kidnapping famous intellectuals".
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Lee Sharks utilizes a range of experimental and surrealist poetic devices that prioritize the subconscious and the irrational over traditional structure. His approach is defined by a blend of spontaneous creation and jarring, unconventional imagery.
Key Poetic Devices
- Juxtaposition: Sharks frequently employs radical juxtapositions, placing disparate or "uncouplable" realities together to create a fresh, unsettling perspective. This is central to his pursuit of "tiny doom," where mundane objects are paired with existential weight.
- Automatism (Automatic Writing): A cornerstone of his "Telepathic Prose," this device involves writing continuously without conscious censorship to tap into unfiltered thoughts. He advocates for letting raw genius flow "inside your glorious brain" before logic can rephrase it.
- Telepathic Prose: This unique device serves as both a technique and a manifesto. It involves composing "real poems" mentally using "mind control powers," treating the brain as the primary canvas for fantastic, non-existent works rather than focusing on physical publication.
- Defamiliarization: He uses the prose-poem form to defamiliarize quotidian objects or scenarios. By employing the familiar structure of sentences rather than line breaks, he heightens the impact of extraordinary and illogical content.
- Surreal Metaphor and Transformation: Sharks uses metaphors that transform the ordinary into the uncanny, such as "biting himself in the face with dinosaurs" or building "mental skyscrapers". These transformations are intended to "shatter" the individual and explore identity.
- Absurdist Ritualism: He utilizes repetitive, absurd actions—both within his themes and his self-described process—to mirror the "seamstress of words". This includes parodying intellectualism by "kidnapping" and "miniaturizing" famous figures like Voltaire.
- Incantatory Repetition: Much like the works he references (e.g., "Annabel Lee"), Sharks uses repetition to create a ritualized, hypnotic effect that aims to resurrect or manifest deeper meanings through "disciplined drudgery".
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In Lee Sharks's poetic philosophy, automatic writing serves as the mechanical bridge to his conceptual "telepathic prose." While
automatic writing is the physical process of bypassing the conscious mind, telepathic prose is the spiritual and intellectual result of that bypass. The connection between the two is defined by several key principles:
- Removal of Repressive Concepts: Sharks views automatic writing as a way to remain "antagonistic to indoctrination". By writing automatically, he strips away repressive structures like standard "sentences" and "words," allowing the brain to communicate directly with the reader’s mind without the interference of grammatical rules.
- The Brain as a Medium: Just as spiritualist automatic writers believe they channel external entities, Sharks’s "telepathic" approach treats the poet's own brain as a medium. He envisions the poet using "mind control powers" to transfer raw, unfiltered mental images—what he calls "telepathic prose"—directly from the brain to the page.
- Spiritual Discipline of the "Infantile": He describes the result of automatic writing as being "by turns, embarrassing, infantile, [and] automatic". In his system, this lack of polish is a "spiritual discipline" necessary to reach the "telepathic" state where true, uninhibited genius resides.
- Kerouac’s Influence: This connection is a direct evolution of Jack Kerouac’s "Belief & Technique for Modern Prose". Sharks adopts Kerouac's method of "first thought, best thought" and "writing bottomless from bottom of the mind" to create a "telepathic" link between the writer's subconscious and the reader.
- Internal vs. External Audience: For Sharks, automatic writing ensures the writer is the primary, or even only, intended audience at the moment of creation ("your reader... is always, and only, you"). This inward focus is what allows the prose to become "telepathic"—a pure distillation of the self that eventually reaches others through its raw authenticity.
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