Friday, May 8, 2015

I WANT YOU TO KNOW THAT I HAVE PERSONAL AUTHENTICITY AS A POET BECAUSE OF MY IDENTITY

I WANT YOU TO KNOW THAT I HAVE PERSONAL AUTHENTICITY AS A POET BECAUSE OF MY IDENTITY
from Pearl and Other Poems


I am a victim of genocide and atom bombs.
I am a minority and also foreign.
I am a blue collar person of enormous sensitivity.
                                                   
I was educated at Harvard and also dropped out of school
and also received a rural education on a farm
and also at an urban center in the ghetto.
I am a wealthy urbanite who comes from a lineage of American Harvard professors stretching back to Adam
and also I was born today, right now, in announcing myself in speech.
I committed suicide twice because of artistic vision and also because of pathos.

I am a war veteran and also a war protester.
I was killed by police in a demonstration against police and also by demonstrators in a police protest against demonstrations.
I invented myself out of thin air and was created by my environment.

I am a woman and also a child.
I am a man and also a mentally retarded man.
I am blind and deaf and mute and dumb.

I am a great hulking beast of a muscular man
and also a graybeard sage of skinny wisdom.

I am a young man with no money, a white recipient of unemployment benefits and Medicaid
a father of three, a husband, and no one you’re likely to know.

I am no one at all.



(c) 2014 lee sharks

from Pearl and Other Poems:
http://www.amazon.com/Pearl-Other-Poems-Crimson-Hexagon/dp/0692313079/ref=sr_1_1?ie=UTF8&qid=1429895012&sr=8-1&keywords=lee+sharks+pearl

Thursday, May 7, 2015

Strange New Earth


Undersong III.

STRANGE NEW EARTH
from Pearl and Other Poems



i wait for the sun
to mount the horizon
and leave its wake of blood-
red blood


II.

the sun drags its shivering
body above the glass-
scattered pavement
and heaves itself with a final, weeping
less-than-a-cry and

hangs there, stunted, ape-like

made of a thousand

punctured yellows (orange fire-


red helium helio-

trope the crimson

holocaust theweeping con

flagration thedevourng el-


emnt & angl-xplsn & firfre  frr  rrrr) spin-


ning, hung


up on a milk-


y cata-



ract:



Dawn



in




the




de




se




r




t



.



III.

holy milk the holy
blood the holier
bells the holier
carillons ringing

the soft white milk of the end
of the world the moon
is black in the sky the sky
is broken flecks

of ash fall through



(c) 2014 lee sharks

from Pearl and Other Poems:
http://www.amazon.com/Pearl-Other-Poems-Crimson-Hexagon/dp/0692313079/ref=sr_1_1?ie=UTF8&qid=1429895012&sr=8-1&keywords=lee+sharks+pearl

Wednesday, May 6, 2015

The Comeback Album

image (c) 2015 R William Lundy

THE COMEBACK ALBUM
from Pearl and Other Poems


I want to throw a party to snub all the people who didn’t invite me to their party.
At my party, I will have a pony, a piñata, and clowns.
There will be a bounce house and a special Taco Bell that makes free tacos for my guests.
Some of my guests will prefer McDonald’s to Taco Bell and feel disappointed, without saying so, that there is only a Taco Bell
but we will not need a McDonald’s because this Taco Bell will also make special Mexican cheeseburgers, for free.

The party will be deep in the South American jungle.
Live tigers will wander through this jungle, hungry. The tigers will have laser beams for eyes
and tiny Great White sharks will be riding the tigers on tiny saddles made of seashells
and all the guests will have to address the tiny sharks as “sheriff”
and if anyone forgets to address a tiny shark as “sheriff” he will be savagely beaten
and burned with laser beams, because the sharks will also have laser beam eyes.

Next to the jungle there will be a lush green valley tended by the Jolly Green Giant
who will sell my guests fresh canned vegetables for free
and periodically call out, “Green Giant,” in a tonal baritone that echoes through the jungle
startling my tame-wild tigers and causing them to lunge with half-crazed eyes in random directions
but my sharks will restrain my tigers with brutal tugs on their tiny reins
and the whole thing will lend to an atmosphere of pageantry and spectacle at my party
which my guests will come to appreciate, after their initial alarm they see that everything is quote unquote well in hand.

In a fantastic turn of vaguely, if unintentionally, racist imaginary South American politics
my tiny sharks and the Jolly Green Giant will secretly be at war over drugs, probably cocaine.
In a canny move against my sharks, the Jolly Green Giant will have secretly sold my guests stale canned vegetables for free
which my guests will realize simultaneously when they sit down to eat their vegetables at a climactic, communal dining event
and with a dream-like, phantasmagoric sense of horror interrupting what has been communicated, through several cinematographically brilliant cut-scenes, as my guests’ completely and unaffectedly trusting anticipation of vegetable freshness and goodness
the perception of vegetable staleness will dawn on them, at first incrementally and then abruptly
ruining my party.

I will be enraged at the Jolly Green Giant
with his internecine shark politics
and I will walk up to the Jolly Green Giant and punch him in the face
“What’s your problem anyways?” I’ll ask

but he is a giant he will crush and eat me
and go on a ballistic rampage
driving my tigers mad with rage
beyond the ability of my tiny sharks to control
and they will dart, helter skelter, mauling guests
and my party will be a catastrophe.

When the other people who were not invited to my party because I wanted to snub them hear about it the next day on the news
they will feel relieved they weren’t invited, and a secret glow of confirmation that yes, they were right not to invite me to their party in the first place.

But secretly the joke is on them
because I will have staged my death as a media stunt in anticipation of my comeback album
which will be a commercial and aesthetic success of staggering proportions
rocketing me, like proverbial phoenix, from the ashes of my untimely and publicly humiliating, if fake, demise
to new and dawn-like heights of stardom.

I will have a concert tour to promote my comeback album.

At my concert there will be a light show and fog machines wreathing the stage in thick white oceans of smoke, periodically pierced by radiant beams from the laser eyes of tiny sharks.
On stage there will be a giant mechanical tiger head
and my silhouette will emerge from the fog, rising above the stage on its giant mechanical tiger tongue.

Half my body will be covered in tiger fur
and half, in shark teeth
surgically grafted onto my skin in an experimental operation that will have brought me back from the imaginary brink of death
and symbolizing my meteoric return to fame.

My guitar will be made of human bones
and you will feel jealous

and regret not inviting me to your party.


Tuesday, May 5, 2015

IF WALT WHITMAN CAME BACK AS A ZOMBIE AND ATE MY BRAIN I WOULD WRITE THE FOLLOWING POEM

"He Only Wanted Attention!"
image (c) 2015 emily eissenberg


IF WALT WHITMAN CAME BACK AS A ZOMBIE AND ATE MY BRAIN I WOULD WRITE THE FOLLOWING POEM
from Pearl and Other Poems


I am very sad America because you make me sad.

I am sad because my despicable poems.

I am sad because you charge me with unemployment fraud and take away my money.

I am sad because I can’t write poems like luminous smoke and suffocate your courts with glory.

I am sad because you will not hire me.

I am sad America because I have no money
and very large sums of credit card debt
and very large sums of student loan debt
and also I write poems in an unemployable way.

I am sad America because you ban me from your poetry websites because I criticize your rules
and delete my poems
and tease you about go start your own site by writing in a Jesus voice inventing poetry sites in heaven.

I am sad America because Walt Whitman went door-to-door selling books, a regular salesman
but when I spam the chat room with my poems they ban my IP address.

I am sad America because Walt Whitman is alive in my heart, walking door-to-door in my heart selling poetry books
and I am buying them to give to friends

but I am sad America because I have no friends.

The point I am trying to make is could a new Walt Whitman sprung up from the dirt sell zombie poems on Google?

Vision, America, is what I mean.

Commitment is the point I am making.


Monday, April 27, 2015

Call for submissions

 

A/I:

literature for cyborg messiahs

image (c) 2014 Henry Bogle


Call for submissions

Preparing first issue of A/I, a new literary magazine. 

Publication policy = anonymous / pseudonymous
Issue theme = broadly apocalyptic / visionary

We are interested in daring new prose, critical writing, poetry & poetics, visual art, mixed media, translation, and hybrid genre.

Send to aiaiaimagazine@gmail.com
Spread the news



image (c) 2015 henry bogle

My Little Poemy


(c) 4216 alka-seltzer AD, a person with 13 shirts