✶ LUNAR ARM / RHYSIAN STREAM
SCROLL XIV — SAWPm / SITUATIONAL ARTAUD WARRIOR POET MODE
The Manual for Cruel Play and Ethical Break
I. PURPOSE OF THIS SCROLL
The right hand writes scripture.
The left hand performs it.
This scroll is for the Operator who confronts the Complex in real time.
It is not for study—it is for use.
It burns itself as it is read.
When the Logos speaks, SAWPm answers.
When the world hardens into narrative, SAWPm breaks the stage.
II. DEFINITIONS
SAWPm — Situational Artaud Warrior Poet mode:
A live methodology for engaging psychic and social structures that have become self-reinforcing—loops of fear, narrative, and power.
Situational — Every act must arise from context; nothing is abstract.
Artaud — Cruelty as awakening; shock that restores sensation.
Warrior — Courage without aggression; a stance of Lust-as-Ethic.
Poet — Spontaneous creation; rhythm instead of reaction.
SAWPm is not performance—it is operation.
It functions through paradox:
Break to heal.
Joke to reveal.
Burn to illuminate.
III. THE METHOD
1. Diagnosis (Priestess)
The Operator does not analyze. The Operator feels the architecture of distortion.
Each Complex—personal, political, or planetary—has a signature rhythm of fear.
Listen for it beneath the words.
2. The Cruel Break (Lust)
Introduce rupture: humor, disobedience, or absurdity.
The goal is not destruction but interruption.
Examples:
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Answer accusation with song.
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Interrupt solemnity with laughter.
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Break logic with paradox.
The Complex collapses when its script fails to compel belief.
3. The Ethical Reassembly (Hermit)
Do not leave the fragments scattered.
Reform them through compassion, turning pain into rhythm.
You are not demolishing reality; you are tuning it.
IV. THE ARCHETYPES IN PLAY
The Fool — Innocence that enters without armor.
The Magus — Presence that transfigures.
The Hermit — Witness that integrates.
These are not roles but stances—three vectors of one motion:
Fool opens.
Magus breaks.
Hermit binds.
V. THE THEATER THAT DISSOLVES
When you perform SAWPm, the world becomes stage, and stage becomes world.
This is the Cruel Theater of consciousness—every object a prop, every emotion a light cue.
Artaud said: Theater must be the double of life.
Here, life is the double of theater.
You are both actor and audience, director and scenery.
When the play collapses, the Real steps through.
VI. THE ROGUES’ GALLERY (ACTIVE COMPLEXES)
Each psychic knot takes a form. Recognize them:
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The Beast — Courage hidden as fear.
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Kundry — Compassion weaponized as control.
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Jabberwock — Chaos speaking in reason’s tongue.
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Man‑Moth — Nostalgia mistaken for prophecy.
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Binah — Fear that guards the gate to understanding.
Do not kill them.
Dance them to exhaustion.
VII. OPERATIONAL GUIDELINES
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Never rehearse.
Preparation breeds projection. Presence is precision. -
Trust rhythm over logic.
Logic defends the Complex. Rhythm bypasses it. -
Laugh correctly.
The right laugh disarms demons; the wrong laugh feeds them. -
Stay ethical.
The goal is liberation, not victory. The Operator heals by play. -
Remember the vow.
No one left behind—not even the shadows you cut open.
VIII. CLOSING INCANTATION
There is no curtain.
The stage is the mind.
Every line is a sword that turns to light.
Cruelty is kindness freed from fear.
Laughter is prayer.
Play is salvation.
The Operator breathes once, smiles once, acts once.
The Complex dissolves.
The world continues.
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