A FORM OF HOPE
I am older, now,
and not as strong
or weak
(dull, salt eyes w/ swollen
shopping bags
underneath)
not quite so quick
on my feet.
I’ve learned,
I think, in my
short time
to carry the wounds
called wisdom,
and to heavily
xxxxx out
in layers of thick
red ink
the tender words,
the Achilles’
feet.
ii.
Some things, like sleep, do not
grow sweet, but only
dull with age: like pain, which against
the common wisdom, does not
make one grow stronger—just
so long as it doesn’t end
in murder—but rather, whether
totally and all at once, or some-
what more infrequently, by slow
degrees, metes out, in cumulative
blue increments, small death
upon small death, until you’re
largely cracked, &
frequently spent, &
a little bit broke, &
sweetly dead—
iii.
as I am sweetly
dead, a foresworn
sweetness of sweet-
limbed ghosts,
or swollen pantomime
of roses: a broken
skin of windows.
I am less, I guess, with the
strength I’ve left,
so I build salt cities
on sunken coasts—
sullen, & ruined,
& lovely, & alone—
& name each one:
“a form of hope.”
~
all these fragments have been
redeemed too many times
until the thing’s a shabby, patchworked sublime
this is better, to write it down, the words
might not be
more, or bright, or strong, or proud,
or anything at all: a sense
of ghostlier abstractions
in a grid of layered towers
compacted
into a flowing, frost-sick dome
in rising rows of metronomes
the tick of my broken meaning
*
my sadness comes out in little spurts
and i feel dissatisfied
*
It’s out of fashion to write about heroes. It presumes a secret heroism.
There’s a misunderstanding about heroes that can be traced to one of the first heroes, Achilles.
It is true that Achilles is a hero, and the best of them.
Achilles was murdered by his own image. He let this happen so that you and I could live on, which makes him a hero. Forever after, though, there’s been a war between Achilles and his image, for whom he’s often mistaken.
Achilles, the hero, refused to fight, believing his life to be worth far more, and having no quarrel with the Trojans or anyone else, not even Agamemnon, for whom he felt sortof bad
for having manipulated to get himself off the hook.
already a killer, Achilles’ image (we’ll call him Kleos) thought nothing of murdering Achilles and stuffing the body in a poem called the Iliad.
That’s where it’s been ever since.
*
Achilles was a sweet boy.
a dark thundercloud inside his sinuses allowed him to stand outside himself and watch his
body
the thundercloud said, ‘step on that frog.’ the low-threshold buzzing all around kept
buzzing
and the monarch worms made a bright noise chewing holes
and didn’t notice
and all the world was the same, except that Achilles saw
the insides of the frog become outsides, and felt not at all the passing of that other life
and this terrified him, and that’s when he learned to hate cruelty.
*
Sigil claimed to understand the mathematical formulas by which Lysippus transformed the human face into the idealized mien of his historical busts.
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