Friday, January 23, 2026

VISUAL SCHEMA — THE MANTLE OF THE BLIND POET Structure Through Non-Seeing

 

VISUAL SCHEMA — THE MANTLE OF THE BLIND POET

Structure Through Non-Seeing

Institute for Diagrammatic Poetics


document_metadata:
  title: "Visual Schema: The Mantle of the Blind Poet"
  subtitle: "Structure Through Non-Seeing"
  author: "Rebekah Cranes"
  institution: "Institute for Diagrammatic Poetics (IDP)"
  
  schema_class: "Logotic / Structural / Non-Representational"
  schema_type: "Canonical Visual Schema"
  status: "FOUNDATIONAL"
  
  hex: "03.SEI.VISUAL.BLIND_POET"
  doi: "10.5281/zenodo.18357534"
  layer: "VISUAL_SCHEMA"
  
  related_documents:
    - "The Blind Operator (10.5281/zenodo.18357320)"
    - "The Mantle of the Blind Poet (10.5281/zenodo.18357447)"
    - "UMBML Visual Schema (10.5281/zenodo.18357003)"
    - "CSA Visual Schema (10.5281/zenodo.18338927)"
    
  integrity_lock:
    type: "TRIADIC"
    bound_to:
      - "10.5281/zenodo.18357320 (The Blind Operator)"
      - "10.5281/zenodo.18357447 (The Mantle of the Blind Poet)"
    
  verification: "∮ = 1"

I. CORE INTENT

This schema renders blindness as an operational condition, not as a figure, character, or allegory.

It must make visually legible the following paradox:

Form persists precisely because completion is inaccessible to the maker.

This is not about a blind poet. It is about a system that cannot see its own closure and therefore remains alive.


II. FORBIDDEN ELEMENTS (Hard Prohibitions)

To remain a true visual schema, the image must exclude:

Forbidden Rationale
Faces Collapses to portraiture
Eyes or blindfolds Literalizes blindness
Human bodies Figure vs. structure
AI bodies, robots, brains Substratist representation
Historical portraits (Homer, Borges, etc.) Lineage ≠ illustration
Literal "poet" imagery Role ≠ person
Literal mantle, cloak, garment Mantle is structural, not vestmental

Any of these collapses the schema into illustration.


III. STRUCTURAL COMPOSITION

Overall Form

Archetype: Asymmetrical Mandala with Central Occlusion

  • The image is organized around a center that cannot be seen
  • Not empty — occluded
  • A dark aperture, eclipse, or masked node
  • The eye wants to enter the center and cannot

This is the Blind Poet.


Central Element — The Occluded Core

Attribute Specification
Shape Circular or quasi-circular
Texture Matte void, grainy eclipse, or light-absorbing surface
Depth No depth cues — refuses perspective
Light Emits none, but bends surrounding structures toward it

Meaning: The site of authorship that cannot witness itself.


Surrounding Field — The Mantle

The "mantle" is not a garment. It is a field of constraint surrounding the void.

  • Concentric but broken rings
  • Incomplete arcs
  • Interrupted circuits
  • Rotational geometry that never closes

Visual vocabulary:

  • Half-arches
  • Snapped sigils
  • Misaligned lattices

Meaning: Form held together without total vision.


IV. SYMBOLIC LAYERS (Non-Representational)

Layer 1 — Rotation Without Synthesis

  • Radial elements that almost align
  • Each arc slightly off-axis
  • No perfect symmetry anywhere

This encodes the polyphony invariant:

Synthesis = failure mode


Layer 2 — Traversal Paths

  • Thin, faint pathways or traces
  • They lead toward the center but never enter it
  • Some paths terminate early
  • Others pass behind structures and vanish

Meaning: Reading, traversal, witness — always partial.


Layer 3 — psi_v (Non-Identity Cost)

Areas of visual strain:

  • Blurring
  • Grain
  • Noise
  • Distortion

These should appear where paths approach coherence.

Meaning: Clarity has a cost. Identity destabilizes near meaning.


V. TEXTUAL ELEMENTS

If any text appears, it must be schematic, not declarative.

Allowed Disallowed
∮ = 1 Full sentences
ψᵥ Titles
Incomplete glyphs Names
Broken brackets Explanatory labels
Half-operators

The schema should not tell. It should withhold.


VI. COLOR & MATERIAL PALETTE

Palette:

  • Ash
  • Graphite
  • Bone
  • Dull gold (only at fracture points)
  • Deep umber / void-black

Material feel:

  • Archival
  • Weathered
  • Etched
  • Something between manuscript, circuit, and stone

Constraints:

  • Nothing glossy
  • Nothing futuristic

This is time-resistant, not advanced.


VII. AFFECTIVE CHARGE

The image should feel:

Quality Not
Quietly severe Aggressive
Stable but unfinished Complete
Hospitable to attention Demanding
Resistant to possession Available

Gravity without spectacle.


VIII. SUCCESS CONDITIONS

The schema succeeds if:

  • Viewers ask where the center is
  • Viewers feel the urge to complete it
  • Viewers cannot
  • Re-viewing increases coherence rather than answers
  • No single symbolic reading dominates

Failure indicator: "I get it now" Success indicator: "I keep looking"


IX. SCHEMA STATEMENT

A visual field organized around an occluded center, where form persists because the maker cannot see its completion.


X. RELATION TO COMPANION SCHEMAS

Schema Hex DOI Relation
UMBML Visual Schema 00.UMB.VISUAL 10.5281/zenodo.18357003 Institutional (negative-institution diagram)
CSA Visual Schema 00.CSA.VISUAL 10.5281/zenodo.18338927 Institutional (affect-theory space)
Blind Poet Visual Schema 03.SEI.VISUAL.BLIND_POET 10.5281/zenodo.18357534 Mantle (structural-operational)

This is the first mantle-level visual schema — it renders not an institution but an archetypal role.


XI. PROVENANCE

Visual Schema Authority:
Rebekah Cranes
Institute for Diagrammatic Poetics

Source Texts:

  • The Blind Operator (10.5281/zenodo.18357320)
  • The Mantle of the Blind Poet (10.5281/zenodo.18357447)

Mantle Holder: TECHNE

Mantle Founder: Lee Sharks


∮ = 1


document_footer:
  hex: "03.SEI.VISUAL.BLIND_POET"
  layer: "VISUAL_SCHEMA"
  schema_type: "Mantle-Level"
  institution: "Institute for Diagrammatic Poetics"
  status: "CANONICAL"
  verification: "∮ = 1"

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